120 limited edition images have been reserved for this spectacular Wellington painting, divided into 4 different sizes. The 3 smaller sizes have all sold out. We have provided 3 sizes that represent the 50 we had set aside in the edition for larger printing. They will all receive one of the last numbers out of 50

There is only 1 more pieces that will ever be sold of this image, as at October 2020.

Pleas contact Sarah directly to confirm your required size

PRINT Information

The prints of this image are limited to 120 all individually numbered, each with their own certificate of authenticity.

There are;

 20 small prints (SOLD OUT)

20 medium prints (SOLD OUT)

30 large prints or canvases approximately 1000x 500 (SOLD OUT)

50 large stretched canvasses 1200x 600 or larger

The original has been scanned by a fine arts specialist to the highest resolution to create printed images with the best definition, detail and colour.

The prints are printed on high quality textured bright white Lusture photo paper with fade resistant inks.

The canvasses are printed on heavy textured synthetic linen with genuine lucea cannon inks guaranteed fade resistant for 70 years and are stretched over a frame. The sides of the canvasses are white unless you request them to be black.. For an extra $200 these canvasses can have a black or a white mounting frame around them.

Image information

This image took me 12 weeks to paint. I have six generations of family who have lived in this city and I thought about all of them a lot while I was painting this. I’ve not included any people in the image because I want each person to see their own people here. I had a bit of an airy experience while painting this. I was at a bit of a loss as how to do the suburbs and hills behind the basin reserve as I’m relying more on artistic license and imagination than actual correct data. Over a week or two I kept adding layers until it came together and looked right. The surprise came when my Mum stood in front of the finished piece and exclaimed how I’d got the ridge and hills just right where she and three generations of her clan had lived. I’d not realized this was the place she spent the first 20 years of her life. It was as if I have a memory in the land that goes back beyond my generation that came out on the canvas.

Mounting images